Articles Tagged with: gallery

Rhiannon Salisbury – Episode 7 of the Delphian Podcast is now live!

Rhiannon Salisbury – Episode 7 of the Delphian Podcast is NOW LIVE!

episode 7

London based artist and the winner of the Delphian Open Call 2019 Rhiannon Salisbury is our guest for this episode of the Delphian Podcast. We sit down in her East London studio to talk about her work, the role that advertising imagery plays in her paintings, whether or not artists have a responsibility to teach the world something through their work and many other things that feed into her practice.

 

Listen now on our website HERE, or search DELPHIAN PODCAST in iTunes, Spotify, or Podbean.

 

Please don’t forget to Like, Share, and Subscribe!


David Shillinglaw – Episode 6 of the Delphian Podcast is now live!

David Shillinglaw – Episode 6 of the Delphian Podcast is NOW LIVE!

David Shillinglaw

We join artist David Shillinglaw in his studio in Margate for this edition of the Delphian Podcast to talk about his work, painting murals around the world and the importance of play in art. We also talk about his side project Dirty Paradise which he runs along with others which has been making appearances over the past few years, bringing artists together from all corners of the globe!

 

Listen now on our website HERE, or search DELPHIAN PODCAST in iTunes, Spotify, or Podbean.

 

Please don’t forget to Like, Share, and Subscribe!


Chiara Williams – Episode 5 of the Delphian Podcast is now live!

Chiara Williams – Episode 5 of the Delphian Podcast is NOW LIVE!

chiara williams

For episode 5 of the Delphian Podcast, we catch up with Chiara Williams, an artist, gallerist and educator. We talk to her about her time running WW Gallery from her home in East London, to guerilla shows at the Venice Biennale and starting the SOLO Award at London Art Fair.

 

Listen now on our website HERE, or search DELPHIAN PODCAST in iTunes, Spotify, or Podbean.

 

 


Divergent Motion – New Show Announcement!

Delphian Gallery is pleased to present Divergent Motion, our first annual summer group show featuring artists working across painting, drawing, collage, and sculpture.

Our summer show provides the opportunity to continue a visual conversation with previously exhibited artists by showcasing their new work alongside other exciting contemporary artists whom we have yet had the pleasure to show.

divergent motion

Artwork by Florence Hutchings

Join us for the private view by clicking THIS LINK

In this exhibition, divergent practices are unified by a sense of unruly expression. Participating artists include:

Florence Hutchings (https://www.instagram.com/florencebh/)
Jesse Draxler (https://www.instagram.com/jessedraxler/)
Francisco Mendes Moreira (https://www.instagram.com/franciscomendesmoreira/)
Cannon Dill (https://www.instagram.com/cannondill/)
Benjamin Murphy (https://www.instagram.com/benjaminmurphy_/)
Beth Rodway (https://www.instagram.com/bethellenmorganrodway/)
Klaus Is Koming (https://www.instagram.com/klausiskoming/)
Lou Ros (https://www.instagram.com/lou_ros_/)
Jerry Kowalski (https://www.instagram.com/jerrykowalsky/)
Cathy Tabbakh (https://www.instagram.com/cathytabbakh/)
Paul Weiner (https://www.instagram.com/poweiner/)
Galina Munroe (https://www.instagram.com/galinamunroe/)
Jake Grewal (https://www.instagram.com/jakegrewal/)
Claire Johnson (https://www.instagram.com/clairepony/)
Tess Williams (https://www.instagram.com/tess_williams_studio/)
Mike Ballard (https://www.instagram.com/mikeballards/)
Nick JS Thompson (https://www.instagram.com/nickjsthompson/)
Rusudan Khizanishvili (https://www.instagram.com/rusudan_khizanishvili/)

***RSVP for the guest list in the ticket link above***

Exhibition graciously supported by theprintspace, London’s premiere fine art printers.


Episode 4 of the Delphian Podcast is now live!

Episode 4 of the Delphian Podcast is NOW LIVE!

episode 4

We sit down with long time Delphian friend and Beers London artist Andrew Salgado at his London studio. Andrew, a Canadian painter has been based in London for a long time now and we and discuss social media, politics and theory in art as well as consistency in an artists output.

 

Listen now on our website HERE, or search DELPHIAN PODCAST in iTunes, Spotify, or Podbean.

 

 


Diabolical – A Conversation with Valerie Savchits

Valerie Savchits was one of the Judges Picks in our 2019 Delphian Open Call, and we really love her expressive, often darkly-comic works. We decided to find out a little more about her work, and what it all means.

 

Benjamin Murphy – Firstly, why are you an artist?

Valerie Savchits – When I was about 2-3 years old my mother introduced me to drawing – she was kind of into designing and drawing in her teenage years. Between 2005-2008 I used to paint on the streets with my classmates like real vandals, but in 2009 something shifted in me and I realised that I’m really into chemistry, I even started my Chemical Technology course in Riga Technical University in 2012 but deep down I knew that I have to stick to what really cures me, allows to transmit flows of ideas and raise my voice on many important topics. My parents were brought up in Soviet times, were a little strict and believed you need to go into a solid profession so you can feed yourself. They simply wanted me to find a job in an office or do 12h shifts in some restaurant not far from home and that’s it.

They always wanted only best for me and their intentions were always good but at the same time they were trying to put an idea into my head that I need to have a stable income, have kids by the age of 21 and make my art my hobby because it’s unrealistic to be an artist in Latvia or elsewhere – it wasn’t even a profession for them.

But I just didn’t care – despite their endless efforts, I just ignored about 80% of what they were saying to me. Diabolical, I know. If I listened to every single advice they ever gave to me, I wouldn’t be where I am now and having this conversation with you. So, being already a colossal failure for my parents because I didn’t live up to their expectations, I embraced my rebellious nature and moved to Manchester to study arts in hope it will help me to understand myself a bit more.

BM – So would you say that a spirit of rebellion is a salient part of your work too?

VS – Sure, this is something inevitable – I need to spill this explosive energy out so it transforms into the characters you see in my work.

valerie savchits

Dissolved into nothingness

BM – Who are these characters in your work and what do they represent?

VS – Very often the characters in my work are a projection of my memory or simply an embodiment of symbiosis of current emotions. Sometimes my characters take shape / are born from the conversations I heard in real life or movies or read in books – I’m a huge fan of dystopian science fiction, especially its sub-genre cyberpunk and it’s been influential on my work for quite some time.

May be this year I’ll try to work on self-portraiture – this is something I haven’t done before and definitely outside of my comfort zone.

BM – If the characters in your work represent your memories or your emotions, how will these new self-portraits differ from your current work?

VS – The thing is that all the characters in my current work never happened to depict me – those memories and emotions were usually connected with or evoked by someone or something else. For example I dedicated a few works to my mother which depicted my complicated relationship with her and what you actually see on canvas is either an animal, a burning house or a bunch of bones – it can take any shape.

Now I want to try out different guises, explore my body lines and mimics and it’s going to be one of the hardest things to do – to capture my own essence, because sometimes I catch myself thinking that even complete strangers know more about me than I do about myself. I think this could be a good change for me to become my own subject and this self-portrait project will also develop in parallel with my current work.

Valerie Savchits

Phenomenal Idiots

BM – Are they dedicated to her because they contain something that you want to say about her, or is it something you want to say to her rather than about her?

VS – It’s just the way I express my feelings or doubts about some topics (not about her persona) that I don’t necessarily want to tell her tête-à-tête – all my paintings or sculptures, including the ones I dedicated to members of my family, are like a personal diary.

BM – So what makes you so willing to share that personal diary with the world

VS – I’d say the main reason for this is that I often can’t keep my opinions to myself, the more I keep inside myself the more it becomes a catalyst for making me feel ambivalent and this simply drives me crazy in the aftermath. But at the same time I don’t like talking much and give long speeches, so I prefer to make a statement in a piece of artwork. I incorporate phrases both in Russian and English in all my work and this combination of image and text depicts my thoughts, emotions and observations more precisely than an ordinary diary ever could.

valerie savchits

I’ll See You Again

 

For more by Valerie Savchits, see her WEBSITE


Episode 3 of the Delphian Podcast is now live!

Episode 3 of the Delphian Podcast is NOW LIVE!

episode 3

In episode 3 of The Delphian Podcast we talk to artist, curator and author Rosalind Davis. In her personal work, Rosalind produces multi-disciplinary works about the transformation of space. She has also been the permanent curator at Collyer Bristow Gallery in London since 2016 and has curated over 30 exhibitions to date. In 2016 she co-authored the book “What they didn’t teach you at art school” with Annabel Tilley and she is a regular lecturer at universities, galleries and organisations across the country.

 

Listen now on our website HERE, or search DELPHIAN PODCAST in iTunes, Spotify, or Podbean.

 

Read more about Rosalind  HERE


We asked 46 artists which was their favourite art-based Instagram account at the moment, here are their answers…

Paul Weiner (@POWeiner) – I love Clyfford Still. Check out @Still_Museum.

Charley Peters (@CharleyPeters) – There’s a lot of great artist accounts, too many to choose a favourite. I do always look forward to posts from @GerryBonetti, he consistently presents an elegantly curated selection of contemporary work. He’s very generous and supportive of artists; obviously passionate about what’s being made now and the legacy of what has been made before. It’s an intelligent feed with a strong authorial voice.

Remi Rough (@RemiRough) – @dezeen or @designboom

Jonny Green (@JonnyGreenArt) – @drawingcocksonthelocalpaper @ambera.wellmann @van_minnen @jakechapmaniac, these are all pretty similar.

Richard Stone (@Artist_Stone) – I don’t have a favourite, but I do like artist (and curator) accounts that mix it up visually and textually and it surprises you or you learn something.

Kevin Perkins (@Kevin_Perkins_) – @bathersbytheriver is great

Sally Bourke (@Justondark) – Probably @jerrysaltz or @whos____who

Lee Johnson (@LeeJohnson.eu) – I always like to see what @stonertim and @paul.housley are painting. Also @rhyslee_ and @jerrysaltz, and my buddy @dellyrose

Jenny Brosinski (@Jenny_Brosisnski) – @davidkordanskygallery

Andy Dixon (@Andy.Dxn) – You can’t go wrong with @painterspaintingpaintings – I’m inspired by pretty much everything they post.

Klone Yourself (@KloneYourself) – I think my fav Instagram accounts at the moment are actually of cartoons and short comics, there’s some realy good ones and the fit the phone screen format much better then art that never realy translates well.

Daisy Parris (@DaisyParris) – @CodyTumblin

Jake Chapman (@JakeChapmaniac) – None

Benjamin Murphy (@BenjaminMurphy_) – @Daily_Contemporary_Art

Tom Anholt (@TomAnholt) – @PaintersPaintingPaintings

Spencer Shakespeare (@SpencerShakespeare) -Anything Richard Ayoade

Rowan Newton (@Rowan_Newton) – @18.01london

Hayden Kays (@HaydenKays) – I love seeing factory production line videos on Instagram. I love factories. I love nifty machines. They remind me of Heath Robinson creations. Art is reduced to postage stamp proportions on it, that are then viewed in an infinite conveyor belt of imagery and noise. It’s certainly not the white walled, calm space I think art often thrives in.

Matthew Allen (@Matthew__Allen) – It has to be @Work2day, it has a similar aesthetic to my own interests, but has a much broader scope so I often find new works/artists via their account.

Rae Hicks (@Rae_Hicks_On_Gangs) – @Sean.Steadman’s feed is always a flow of gems.

Jonni Cheatwood (@Jonni_Cheatwood) – I’m a big fan of @TaylorA.White as a person, definitely as a painter but he’s just so so funny.

Andrew Salgado (@Andrew.Salgado.Art) – im trying to spend less time on instagram as it feeds into bad self-image. but i like @painterspainterspaintings and @topainterstopaintings or something like that. i forget.

Soumya Netrabile (@Netrabile) – I really like @Jitjander’s page. It’s this evolving survey of evocative images from which you can draw so much inspiration.

Hedley Roberts (@HedleyRoberts) – @the_chopper_lifestyle is my favourite Instagram account right now. It isn’t art based, at least not in a obvious way. For art, there’s loads but @painterspaintingpaintings is one I go back to regularly.

Nick JS Thompson (@nickjsthompson) – @brush_uk always have an excellently curated feed of contemporary painting.

Justin Long (@_JustinLong) – @arthandlermag

Erin Lawlor (@TheErinLawlor) – @painterspaintingpaintings.

Tony Riff (@TonyRiff) – It’s always changing but Probably @Spencermann he knocks out so much work but it’s always super consistent, thanks for making me feel lazy, dude.

Justin Lee Williams (@ArtJLW) – @Greatartinuglyrooms – it’s gold

Jordy Kerwick (@JordyKerwick) – @Daily_Contemporary_Art (of course). If not DC, @FreudMonkGallery

Wingshan Smith (@wingshansmith) – @thewhitepube always.

Fiona Grady (@Fiona_Grady) – One of my favourites is artist @nickyhirst63 she doesn’t tend to share photos of her artworks but instead things that capture her attention – in some ways it’s more insightful. I think she has a really great eye for detail and her feed has a subtle humour.

Obit (@LazyObit) – I’d love to say something highbrow but in reality it’s @saucypostcard

Kenichi Hoshine (@Kenichi_Hoshine) – I really like @painterspaintingpaintings, @yngspc and @collecteurs

Bertrand Fournier (@FournierBertrand)– I don’t want some to be jealous.

Anthony Cudahy (@AnthonyCudahy) – I would say Cheyenne Julien, but she’s taking a break from Instagram. @PeterShear has a knack for finding the most unexpected and unusual paintings from an artist which I truly appreciate.

Johnny Thornton (@_JohnnyThornton) – I follow a lot of amazing artists but right now I’m enjoying the work of @POWeiner. His work is just fantastic.

Jesse Draxler (@JesseDraxler) – @davidvonbahr

Richie Culver (@RichieCulver) – @Abstract.Mag

Martin Lukac (@Martin.Lukac) – @JanCerny_

Gabriele Herzog (@Gabriele_Herzog) – @annetruitt – An amazing combination of images with incredible writing by Anne Truitt

Cannon Dill (@CannonDill) – @Sauerkrautmissionary22

Mevlana Lipp (@Mevlana_Lipp) – @the_art_estate, @painterspaintingpaintings, @art.viewer to name a few.

Danny Romeril (@D_Romeril) – @florencebh @mickhutchings @ferguspolglase @greatartinuglyrooms

Florence Hutchings (@FlorenceBH) – @mickhutchings, @d_romeril and @art.kids.art

Catherine Haggarty (@Catherine_Haggarty) – my friend @eleanor.k.ray who shares so many amazing photos of her travels! – @ej_hauser

 

For more, we asked 45 artists

What They Did To Relax

What Was The One Thing About The Artworld They Wish Would Disappear Forever

What One Piece Of Advice They Would Give To Young Artists


SoEdited interview with Benjamin Murphy ahead of the opening of ANTIHERO

With a hint of Art Nouveau’s Aubrey Beardsley black lines and detailed patterns, Benjamin Murphy uses electrical tape to create and glamourise the female form. Creating a snapshot of a moment, a fleeting glimpse of inner thoughts via the gesture of a figurative movement.

Murphy is a stable part of the London art scene, yet not affiliated to any particular scene, and has forged out his own niche in the past 10 years.

SoEdited caught up with Benjamin to chat about his developing style.

 

SE:
Some of your early works document social situations. What was behind these ideas?

BM:
I try to depict people in unposed scenarios, as if we are seeing them during their private moments of inaction and introspection. For this reason I try to keep the actual action to an absolute minimum so as to leave the figures to be shown in contemplation rather than in the process of doing something. I want the work to feel very slow and quiet, but with the suggestion that more is going on in the characters mind – that’s where the action sits. These kind of scenarios can naturally look quite melancholic, and people can read into that whatever they like. I prefer to give the viewer as much scope to interpret my work as possible, and I think that any interpretation of an artwork is the correct one.

SE:
Some high-profile portraits have been part of your work. How is it to work with a subject, rather than just your imagination?

BM:
The actress Olivia Coleman commissioned me to draw her and her husband a few years ago, and they were both the loveliest people to work with, so that was an absolute pleasure. I went round their house photographing lots of patterns and objects to include in the background, so there were lots of sentimental items represented. They were very happy with the piece.

On the whole though, the portraits I’ve been commissioned to do have usually been much stranger subjects, which I think suits my work quite nicely.
I was asked a few years ago to draw Fred & Rose West, which meant that whatever I did, the work was going to invoke strong reactions. A few serendipitous and coincidental things happened, linking myself to them at the time I was making it, which was interesting.

soedited

Photograph by Nick JS Thompson

 

SE:
The male portrait and figure has very recently become part of you concentration in portraits. Why now?

BM:
I decided that I had been working very much within my comfort-zone, and so as soon as I identified that, it was time for a course-correction.

SE:
From your perspective. What is the difference between the male and the female as a muse?

BM:
The male figure is a lot easier to draw in general, as any slight diversions in line just appear as musculature. It’s harder to capture things like tenderness with the male form, but it’s important to challenge oneself with things like this, and to think about why these challenges may exist in the first place.

SE:
If we at SoEdited were to give you a commission, what would it be?

BM:
People keep asking me to do a self-portrait, which I always avoid. Perhaps it’s time.

SE:
When working in your studio, are you more comfortable being isolated or is it a social atmosphere?

SO:
My studio needs to be a very solitary place. Often I’ll spend days on one pattern, which can be unimaginably repetitive and my brain needs to pretty much switch off from it so as to be able to repeat the same action over and over again for hours at a time. The slightest distraction makes this progress very hard.

Aside from that my studio is less like the Baconesque studio most people imagine all artists to inhabit, and a lot more like a study or an office. There are lots of plants and books, and obviously lots of art works on the walls.

SE:
We have seen you grow into a very handsome man. What would you consider the attributes of being a handsome man?

BM:
“I am not an artist I’m a fucking work of art.” – Marilyn Manson

SE:
What was the last thing that offended you?

BM:
Offence is a very loaded term these days, and it’s been given more power than it deserves. People are so worried about offending or being offended that they completely shy away from debate, and opposing groups never interact. I believe that all topics should be on the table for discussion, even abhorrent ones, as the most successful way to tackle intolerance and bigotry is to undermine them in serious debate.
There are a lot of things politically that have been pissing me off recently, but for reasons stated above, I’m reticent to use the term offended.

soedited

Photograph by Nick JS Thompson

SE:
Have you been upset in the last 6 months. If so why…

BM:
I’m an eternal optimist, so not really no. I’ve seen a lot of sad things like everyone does, but I try to accept them and learn from them where possible.I’ve seen people die and relationships break down, but I am very much of the belief that we are not defined by things that happen to us, but by how we respond to such things.

SE:
You have an ability to be quite blunt. What is this bluntness?

BM:
Haha this is something I try to combat daily. I’m often quite indelicate! My friend Nick described my demeanour the other day as ”northern stoicism”, which is probably pretty apt – and absolves me from any responsibility, as it’s inbuilt and genetic.

SE:
What five songs define you?

BM:
The last five artists I’ve listened to on Spotify are:
Motörhead, Iggy Pop, Frank Carter & The Rattlesnakes, Slayer, Alice In Chains.

SE:
IS there a film that you wish you could have lived?

BM:
Nymphomaniac.

 

 

Benjamin Murphy – ANTIHERO
Delphian Gallery

Private view 03/07/19 18:00-2200
Paja&Bureau
Korkeavuorenkatu 7
00140 Helsinki

Show runs every day until the 11th.

Exhibition graciously supported by Paja&BureauCreat, and drinks for the private view supplied by Suomenlinnan Panimo

Tape kindly supplied by Cre8 Tapes


‘Commixture’ at The Koppel Project – Hector Campbell’s Top Five

Commixture at The Koppel Project

Curated by Sally Gorham.

 

The Koppel Project in Central London plays host to Commixture, curated by Sally Gorham, a group exhibition that presents a snapshot of the current London emerging art scene through the lens of materiality and a diversity of mediums and methods. Each of the exhibited artists display continued exploration and experimentation within their practice, particularly in the context of their experience of media, material and physical making. The variety on show in Commixture highlights the innumerous ways in which artists approach creating, and how these approaches alter and change in relation to their navigation of the contemporary art world. The careful curation of Sally Gorham guides the audience through the exhibition, creating dialogues between not only the individual artworks but also the many disparate mediums and movements they encompass.

 

If you can’t make it to the exhibition, which runs until July 13th, here is a rundown of my top five artists with work on display in ‘Commixture’, (in no particular order).

 

ByHector Campbell

 

Nathaniel Faulkner

commixture

Nathaniel Faulkner, Maze Painting, MDF, spray paint, flock, 2019

 

Nathaniel graduated with a BA (Hons) in Fine Art from Central Saint Martins, UAL (London), having previously completed his Foundation in Art and Design at Bath College.

Nataniel’s work regularly references popular culture, cinematic history and invented architecture, and in Maza Painting he turns his attention to Stanley Kubricks 1980 masterpiece The Shining by reinterpreting The Overlook Hotel’s arhitectural maze model as a sculptural relief. Painstakingly crafted from MDF, the work could easily be interpreted as a work of pure geometric abstraction for those uninitiated with Kubrick’s adaptation of the Stephen King classic, the addition of green flock however another nod to the creative process used in architectural and landscape model building.

Nathaniel’s work has featured in group exhibitions at Subsidiary Projects, London (‘Extended Call pt.3’, curated by Billy Frazer, 2018) Yamamoto Keiko Rochaix Gallery, London (‘Megalopolis’, 2017) and with Kristian Day (‘arc.’ at Herrick Gallery, London, 2018). Recent duo exhibitions included 2019’s ‘Italian For Beginners’ with Joe Richardson at Apthorp Gallery, London, and ‘showerthoughts’ with Gillies Adamson Semple at San Mei Gallery, London.

Website/Instagram

 

Elliot Jack Stew

commixture

Elliot Jack Stew, Hand Job I, Oil on canvas, 2019

 

Elliot recently graduated with a BA (Hons) in Fine Art from Central Saint Martins, UAL (London).

Elliot’s work explores the boundaries that exist between the public and the private, evidenced in this new ‘Hand Job’ series of works by the use of forced point of view, placing the audience in the position of the protagonist. Intimacy is again implied not only by the works tongue-in-cheek title but also the hand suggestive placing atop the assumed bed sheets. The depiction of hands as well as the works autobiographical context invokes the art historical tradition of ‘The Artist Hand’ and the ways in which artists try to hide, or in Elliot’s case embrace, their mark making.

Elliot had his debut UK solo exhibition earlier this year at Cass Art, London (‘Poster Boy’), and has featured in 2018’s East Wing Biennial (‘SURGE’) at The Courtauld, London. Elliot is also the co-founder of the ‘Collective Cuba Project’ residency programme in Havana, Cuba.

 Website/Instagram

 

Helen Waldburger

commixture

Helen Waldburger, Slippery Fingers, Watercolour, oil and oil pastel on cotton, 2019

 

Helen recently graduated with a BA (Hons) in Fine Art from Central Saint Martins, UAL (London), having previously completed her Diploma in Art and Design at Camberwell College of Arts.

Helen’s work combines memories, thoughts, dreams and feelings to create scenes that are neither fact nor fiction but incorporate aspects of both to create a rich visual narrative. This layered approach to narrative composition is mirrored in the artist’s use of cotton canvases, which through their translucence expose the wooden support beneath, allowing for the expansion and extension of the works’ surface.

Helen’s work has featured in group exhibitions at Leyden Gallery, London (‘Platform For Emerging Arts 21’, Feb/March 2019), Stour Space, London (‘Sketchy London’, Aug 2018) and the Rag Factory, London (‘Sacred Blue’, 2016 & ‘Mother Russia’, 2015)

Website/Instagram

 

 

Cybi Williams

commixture

Cybi Williams, Gyn, Oil on canvas, 2019

 

Cybi recently graduated with a BA (Hons) in Fine Art from Central Saint Martins, UAL (London).

 

Cybi’s practice exists at the intersection of digital and analogue, and questions their relationship while exploring ways to marry the two creatively. His new series of work started life as daily digital sketches, an ongoing creative routine that provides him with ample visual material from which he edits and selects images that will become larger works. ‘Gyn’ exists both as Cybi’s original digital rendering of the work, as well as this physical oil on canvas piece that retains all the hallmarks of its nascent digital beginnings, a trompe l’oeil for the technological age.

Cybi had his debut UK solo exhibition at BLANK 100, London (‘Cybi Williams’, Aug/Sept 2018), followed by ‘Mundane!’ at Roper Gallery, Bath in January of this year. He was also the winner of the 2018 Clyde & Co Art Award.

Website/Instagram

 

Rupert Whale

commixture

Rupert Whale, Remnant, Acrylic on canvas, 2019

 

Rupert recently graduated with an MA in Fine Art from Central Saint Martins, UAL (London), having previously completed his BA (Hons) at Middlesex University, London, and his Diploma in Art and Design at Exeter College of Art.

Taken from Rupert’s latest series ‘The Incomplete’, 2019’s ‘Remnant’ displays the artist’s mastery of, and experimentation with, many painterly techniques as he approaches abstraction as device to investigate mark making and question the limits of the picture plane. The pastoral colours recall traditional landscape painting whilst the diverse range of expressive lines and brushstrokes evoke digital composition and avant-garde art movements such as graffiti, punk and abstract expressionism.

Rupert’s recent solo exhibitions include ‘Critical Mass’ at Cloisters Temple, London (2018) and ‘Rupert Whale’ at The Stonespace Gallery, London (2018). Rupert’s work is featured in collections including the University of the Arts London Collection and the Tim Sayer Collection (bequeathed to The Hepworth Museum, Wakefield).

Website/Instagram

 

 

For more of Hector Campbell’s Top Fives

Drawing Biennial at The Drawing Room

Subversive Stitch at TJ Boulting