Articles Tagged with: interview

Kristin Hjellegjerde – Episode 11 of the Delphian Podcast is now live!

Kristin Hjellegjerde – Episode 11 of the Delphian Podcast is now live!

Portrait of Kristin Hjellegjerde in her london gallery space

Gallerist and curator Kristin Hjellegjerde joins us for the Delphian Podcast this week. Known for its multicultural curatorial approach the gallery quickly gained recognition for exhibiting a roster of innovative, international artists since its inception in 2012. Kristin has galleries in both London and Berlin as well as a new London project space which will also be expanding in 2021.

We talk about the way in which she finds artists and how artists can make themselves more visible to galleries, the importance of networking, collaboration between galleries, and advice to young curators. We also touch upon the sometimes prohibitive cost of art fairs and how this affects a gallery’s decisions on their programming.

 

Listen now on our website HERE, or search DELPHIAN PODCAST in iTunes, Spotify, or Podbean.

 

Please don’t forget to Like, Share, and Subscribe!


Jordy Kerwick – Episode 10 of the Delphian Podcast is now live!

Jordy Kerwick – Episode 10 of the Delphian Podcast is NOW LIVE!

episode 10

In this episode of the Delphian Podcast we catch up with our friend Jordy Kerwick, who has previously exhibited with Delphian Gallery, in his hotel room in London. We chatted to the Australian born, French based artist about his work, the role of social media in the art world, outsider art, and the importance of artists thinking of themselves as a business.

You can also see our past exhibition, Diary of an Introvert, with Jordy here.

 

Listen now on our website HERE, or search DELPHIAN PODCAST in iTunes, Spotify, or Podbean.

 

Please don’t forget to Like, Share, and Subscribe!


Sunyoung Hwang – Episode 9 of the Delphian Podcast is now live!

Sunyoung Hwang – Episode 9 of the Delphian Podcast is NOW LIVE!

episode 9

South Korean, London based abstract artist Sunyoung Hwang is this weeks Delphian Podcast guest. We talk about her practice, the benefits of artist residencies and the transition from eduction to professional practice.

 

Listen now on our website HERE, or search DELPHIAN PODCAST in iTunes, Spotify, or Podbean.

 

Please don’t forget to Like, Share, and Subscribe!


Rowan Newton – Episode 8 of the Delphian Podcast is now live!

Rowan Newton – Episode 8 of the Delphian Podcast is NOW LIVE!

episode 8 - rowan newton

South London born painter Rowan Newton joins us for this episode of The Delphian Podcast where we talk about his debut solo exhibition, Fractured Integrity, with Jealous Gallery as well as surviving as an artist, the role and state of art fairs in London and his own podcast Art Proof.

 

Listen now on our website HERE, or search DELPHIAN PODCAST in iTunes, Spotify, or Podbean.

 

Please don’t forget to Like, Share, and Subscribe!


Rhiannon Salisbury – Episode 7 of the Delphian Podcast is now live!

Rhiannon Salisbury – Episode 7 of the Delphian Podcast is NOW LIVE!

episode 7

London based artist and the winner of the Delphian Open Call 2019 Rhiannon Salisbury is our guest for this episode of the Delphian Podcast. We sit down in her East London studio to talk about her work, the role that advertising imagery plays in her paintings, whether or not artists have a responsibility to teach the world something through their work and many other things that feed into her practice.

 

Listen now on our website HERE, or search DELPHIAN PODCAST in iTunes, Spotify, or Podbean.

 

Please don’t forget to Like, Share, and Subscribe!


David Shillinglaw – Episode 6 of the Delphian Podcast is now live!

David Shillinglaw – Episode 6 of the Delphian Podcast is NOW LIVE!

David Shillinglaw

We join artist David Shillinglaw in his studio in Margate for this edition of the Delphian Podcast to talk about his work, painting murals around the world and the importance of play in art. We also talk about his side project Dirty Paradise which he runs along with others which has been making appearances over the past few years, bringing artists together from all corners of the globe!

 

Listen now on our website HERE, or search DELPHIAN PODCAST in iTunes, Spotify, or Podbean.

 

Please don’t forget to Like, Share, and Subscribe!


Jerry Gogosian – art world satirist and illusive commentator

Jerry Gogosian is the self-styled “TMZ of the art world” Instagram account. It’s creator is anonymous, and much speculation surrounds the account.
No art-world figure is beyond satire, and the account pokes fun at everyone from collectors and dealers, to artists and gallerists. I decided to find out more, so we had a little chat…

 

Benjamin Murphy – How anonymous is your identity, and is it anonymous out of self-preservation?
I’d imagine you upset a few thin-skinned people from time to time.

Jerry Gogosian – I keep telling people that the identity behind Jerry Gogosian is the least important part of this project. Of course (and for the first time) I’ve got haters…why I’m not really so sure. They insist on speculating about my identity and “outing” or “cancelling” me, but ultimately they matter so very little to me. I started this account for my own personal satisfaction and a way to blow-off steam. This was never meant to get as big as it did.

BM – Yeah I get that, ultimately it’s not about you. Perhaps the hate is coming from people who take themselves much too seriously?

JG – I think the hate comes from people who are personally and professionally frustrated. Ironically, the higher up on the food chain the subjects of my jokes tend to be, the less they seem to care themselves and will usually play along with the joke. Last week I made a joke about Marc Glimcher of PACE. He loved it and played along in the comments section.

BM – Thats great. I think across all walks of life, those that are the most afraid of critique are those that are the least comfortable in themselves, and least confident in what they’re doing.

JG – Yeah…
Art is deadly serious, but the Vanity Fair behind it is hilarious. That’s truly where the jokes are directed.

BM – I think there is a lot of “The Emperors New Clothes” in the art world, and people are perhaps afraid of being called out on their bullshit, or, people are afraid of being labeled as being a bullshitter when they aren’t one.

JG – Maybe this is cruel sounding but I don’t really worry about the psychological make up of those kinds of people. People in general can have a lot of fear, I acknowledge that. If I sat around and worried about insecure people, I’d be insecure.

BM – Good choice of words – I think those that can’t take a joke are the insecure ones.
I suppose what I’m getting at, is do you think that people in the art world are less willing to be satirised?

JG – No they love it. People dm me asking me to make jokes about them…

BM – Oh that’s good, that’s not what I, and I’d imagine many others, would have expected.

JG – Well I make relatable character profiles that a lot of people see themselves reflected in.

BM – Maybe its validation in a way, being significant enough to have jokes made about you.

JG – Yeah in the beginning some other artworld meme pages were giving me a hard time, and then someone was like, if they aren’t talking about you, then you’re not doing a good enough job.

‪BM – Exactly‬‬.

‪JG – So I don’t really let it bother me and neither should it bother anyone else. ‬‬‬

‪Memes are mostly throw-away entertainment anyway. HOT today. Gone tomorrow.‬‬‬

jerry gogosian

BM – So did you start the page out of some kind of frustration with the art world – is this a way of you taking people down a peg or two‬‬, or is it much less malevolent?‬‬

JG – I don’t think of it as a take down… maybe just a hot take on the art world.
It has turned into a community at this point with high net followers and young emerging artists with everything in between.

BM – That’s nice. I think the world needs satire now more than ever.

JG – We need to laugh, right?

BM – And we need to be able to laugh at ourselves.

JG – Yeah it is healthy. When I started this, I just assumed it was already happening.

jerry gogosian

BM – In a wider sense, do you think people are less willing to be satirised, less willing to be disagreed with, and less willing to be offended than ever before?
It seems like no-one is willing to listen to opinions that conflict with their own anymore.

JG – We live in a culture addicted to outrage. Period.
I do not operate in that realm.

BM – That outrage only serves to shut down debate, and keep people all the more separate.
I think if people were a lot less quick to offend, a lot of the political strife that the EU and America find themselves in would be less extreme.

JG – We live in rough times, but I think we’ve lost something…the notion of love in our daily vernacular. I’m not talking about “OMG I love you” bullshit but rather practicing love and compassion towards those around us on a daily basis.

BM – Even to those whom we completely disagree with.

JG – In that sense I am a Christian (omfg Jerry Gogosian is a CHRISTIAN)

I just like what Jesus taught.

BM – As a philosopher he was great.

JG – We lack a redemptive allowance in our culture for people to make mistakes, instead these media outrage cycles tear the person down and leave them in the dust. I do not believe in this.

BM – Yeah, and if you approach people in an aggressive way you just put them on the defensive, and then there’s no way you can change their opinion.

JG – And you underline that YOU are THEIR enemy, it doesn’t work.

‪ ‬jerry gogosian
BM – Why is art valuable?‬‬

JG – Because it is the sacred expression of a life lived and reflected through the moment in which it passed. My favorite teacher once said “art is the one place where there are zero laws”‬‬

‪Science is rules and laws that you work with and within.

BM – That’s very liberating‬‬.

‪JG – And in terms of education, yes, learning and understanding history are essential, but the other component that cannot be intellectually taught, only emotionally learned is that we are completely free to create. ‬‬‬

‪BM – Perhaps that’s why certain people become artists; it attracts rule breakers because there are no rules‬‬.‬
That’s probably why I became interested in it in the first place.‬‬

So if you could give one piece of advice to someone at the very start of their art journeys, what would that be?‬‬

‪JG – Go to business school. Become a nurse. Become a teacher. Get a hard skill that you can fall back on when shit gets hard‬. ‬
‪An career cannot be plotted like a doctor’s career…‬‬‬

‪You’ve got to be ready to endure some extreme hardship. ‬‬‬

jerry gogosian

For more interviews:

Diabolical – Valerie Savchits

For more by Jerry Gogosian

Instagram


Chiara Williams – Episode 5 of the Delphian Podcast is now live!

Chiara Williams – Episode 5 of the Delphian Podcast is NOW LIVE!

chiara williams

For episode 5 of the Delphian Podcast, we catch up with Chiara Williams, an artist, gallerist and educator. We talk to her about her time running WW Gallery from her home in East London, to guerilla shows at the Venice Biennale and starting the SOLO Award at London Art Fair.

 

Listen now on our website HERE, or search DELPHIAN PODCAST in iTunes, Spotify, or Podbean.

 

 


Episode 4 of the Delphian Podcast is now live!

Episode 4 of the Delphian Podcast is NOW LIVE!

episode 4

We sit down with long time Delphian friend and Beers London artist Andrew Salgado at his London studio. Andrew, a Canadian painter has been based in London for a long time now and we and discuss social media, politics and theory in art as well as consistency in an artists output.

 

Listen now on our website HERE, or search DELPHIAN PODCAST in iTunes, Spotify, or Podbean.

 

 


Diabolical – A Conversation with Valerie Savchits

Valerie Savchits was one of the Judges Picks in our 2019 Delphian Open Call, and we really love her expressive, often darkly-comic works. We decided to find out a little more about her work, and what it all means.

 

Benjamin Murphy – Firstly, why are you an artist?

Valerie Savchits – When I was about 2-3 years old my mother introduced me to drawing – she was kind of into designing and drawing in her teenage years. Between 2005-2008 I used to paint on the streets with my classmates like real vandals, but in 2009 something shifted in me and I realised that I’m really into chemistry, I even started my Chemical Technology course in Riga Technical University in 2012 but deep down I knew that I have to stick to what really cures me, allows to transmit flows of ideas and raise my voice on many important topics. My parents were brought up in Soviet times, were a little strict and believed you need to go into a solid profession so you can feed yourself. They simply wanted me to find a job in an office or do 12h shifts in some restaurant not far from home and that’s it.

They always wanted only best for me and their intentions were always good but at the same time they were trying to put an idea into my head that I need to have a stable income, have kids by the age of 21 and make my art my hobby because it’s unrealistic to be an artist in Latvia or elsewhere – it wasn’t even a profession for them.

But I just didn’t care – despite their endless efforts, I just ignored about 80% of what they were saying to me. Diabolical, I know. If I listened to every single advice they ever gave to me, I wouldn’t be where I am now and having this conversation with you. So, being already a colossal failure for my parents because I didn’t live up to their expectations, I embraced my rebellious nature and moved to Manchester to study arts in hope it will help me to understand myself a bit more.

BM – So would you say that a spirit of rebellion is a salient part of your work too?

VS – Sure, this is something inevitable – I need to spill this explosive energy out so it transforms into the characters you see in my work.

valerie savchits

Dissolved into nothingness

BM – Who are these characters in your work and what do they represent?

VS – Very often the characters in my work are a projection of my memory or simply an embodiment of symbiosis of current emotions. Sometimes my characters take shape / are born from the conversations I heard in real life or movies or read in books – I’m a huge fan of dystopian science fiction, especially its sub-genre cyberpunk and it’s been influential on my work for quite some time.

May be this year I’ll try to work on self-portraiture – this is something I haven’t done before and definitely outside of my comfort zone.

BM – If the characters in your work represent your memories or your emotions, how will these new self-portraits differ from your current work?

VS – The thing is that all the characters in my current work never happened to depict me – those memories and emotions were usually connected with or evoked by someone or something else. For example I dedicated a few works to my mother which depicted my complicated relationship with her and what you actually see on canvas is either an animal, a burning house or a bunch of bones – it can take any shape.

Now I want to try out different guises, explore my body lines and mimics and it’s going to be one of the hardest things to do – to capture my own essence, because sometimes I catch myself thinking that even complete strangers know more about me than I do about myself. I think this could be a good change for me to become my own subject and this self-portrait project will also develop in parallel with my current work.

Valerie Savchits

Phenomenal Idiots

BM – Are they dedicated to her because they contain something that you want to say about her, or is it something you want to say to her rather than about her?

VS – It’s just the way I express my feelings or doubts about some topics (not about her persona) that I don’t necessarily want to tell her tête-à-tête – all my paintings or sculptures, including the ones I dedicated to members of my family, are like a personal diary.

BM – So what makes you so willing to share that personal diary with the world

VS – I’d say the main reason for this is that I often can’t keep my opinions to myself, the more I keep inside myself the more it becomes a catalyst for making me feel ambivalent and this simply drives me crazy in the aftermath. But at the same time I don’t like talking much and give long speeches, so I prefer to make a statement in a piece of artwork. I incorporate phrases both in Russian and English in all my work and this combination of image and text depicts my thoughts, emotions and observations more precisely than an ordinary diary ever could.

valerie savchits

I’ll See You Again

 

For more by Valerie Savchits, see her WEBSITE